JS: This sketchbook which depicts the time spent with your friend in hospital is very moving, but it is also intriguing in the context of other bodies of work you have made since, which are also rooted in portraying the intensity of an encounter?ĭG: That is something that has re-occurred in my work in different ways, whether it is an encounter with someone, or somewhere. My drawings have got to contribute to a conceptual framework of thinking, which might open up the spirit of what is contained within each individual drawing. And that is obviously something that is still very important to me now. I just thought I could be a compulsive drawer, but I always wanted the drawing to add up to something. JS: It is amazing to see these works because they are from 20 years ago when you where a student, but I feel like you can see really important aspects of your work being established here.ĭG: I always produced a lot of sketchbooks as a student.
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